Artist’s Signatures – How Do They Change the Value of Art?

Signed in pencil, signed in the plate, what does all of this mean? The way a print is signed and it’s impact on the value of the art causes a great deal of confusion. You will see prints that are unsigned, signed in the plate, stamped signature, estate signed and signed with a blindstamp. There are no hard and fast rules about how an artist should sign their graphic art. It is more important to know what the normal procedure was for the time period and what the normal practice was for that particular artist.

Centuries ago, most artists never considered signing their art. Numbers of pieces are unsigned, but that does not mean that the artist is unknown or that it was not done or approved by him or that it has no value. Rembrandt, considered one of the greatest etchers did not sign a number of his etchings. Most of the modern masters, Picasso, Chagall, Miro, did not sign certain editions. This is when it is important to work with a knowledgeable dealer since unscrupulous people have forged pencil signatures on authentic art in order to command a higher price.

Signed in the plate means that the artist has signed their name in the matrix (wood, metal, stone, etc) so that it is printed within the art. This is the way that an artist would sign their work up until the 19th Century and many of the earlier artists would not have done that much if it had not be decreed by guild law. Generally speaking, because in art there are always exceptions, a plate signed work of art is more desirable than an unsigned piece, but is less desirable than one signed in pencil. Since artist from the 14th to late 19th Century did not sign their art in pencil, the lack of a pencil signature has no impact on the value.

Signed in pencil is usually the type of signature that collectors prefer.

It has become a tradition for the artist to sign their name in the lower margin under the image. They may also include the edition number, title and date. We can thank James McNeil Whistler for helping to introduce and promote the hand written signature at the end of the 19th century. The hand signed signature signified the integrity of the print, that it is original and distinctive from a reproduction. Whistler charged twice as much for his hand signed pieces than he did his other pieces from the same edition, even though there was no difference in the quality of the art. Seymour Haden would sign his name to any of his earlier unsigned etchings for a guinea. Picasso sold 15000 signatures for the Vollard Suite.

Unfortunately, the hand signed signature no longer has this same meaning since many artists sign and number their offset lithographic or giclee reproductive prints. Nor is this a new phenomenon, Kathe Kollwitz signed photolithographic reproductions of one of her aquatint series. Still, the implied message has remained and pieces that are hand signed generally are more valuable than ones that are not. What makes all of this very confusing is that it is possible to have a fake signature on an authentic work of art and an authentic signature on a reproductive work of art.

Sometimes, instead of hand signing the art or signing in the plate, an artist will use a stamp of their signature and apply it to the art, usually in the lower margin where you would normally find the hand signature. A stamped signature will sometimes be confused for a hand signed signature.

Heirs and estates have been creating posthumous editions or reproductive editions that bears a special signature. They sign the art to give the impression that it would have been authorized by the artist if they had not died. These signatures could be hand signed, stamped signatures or blindstamps by the heirs, museums or any authorized organization. The value of these is usually much lower than lifetime impressions. But of course, there are always exceptions!

Tips on Stretching Piercings and Gauging Earlobes

The following tips on stretching piercings are specifically aimed at gauging earlobes, where earlobe piercings can be enlarged to very large sizes to incorporate many different types of ear jewelry including awesome flesh tunnels.

Stretching piercings has been popular in many civilizations throughout history, taking many forms from gauging earlobes to stretching labret and septum piercings. In the very early periods of history the materials used were wood, stone, bone, horn, shells, claws and talons, shaped and carved to facilitate stretching piercings.

The oldest known incidence of humans gauging earlobes was discovered in 1991, in a glacier in the Otztal Alps between Italy and Austria, where a 5,300 year-old mummified body was found with tattoos and an earlobe piercing of between 7 mm and 11 mm diameter. Although the method used was known for definite, this may have been carried out by a method known as dead stretching, where progressively larger ear jewelry is forced through the hole that gradually increases in diameter.

Preparation

In preparation for gauging, make sure that you have a good anti-bacterial soap without perfume. Then you will need a sea salt solution – make it using three tablespoons salt in just enough water to dissolve it, and at least enough to bathe your earlobe in. Never use hydrogen or any other peroxide as antiseptic – the soap and salt solution are enough.

You will also need some warm water to bathe your ear with before each phase of ear stretching, or you could alternative have a warm shower first. This softens the ear and helps prevent tearing of the skin/scar that could lead to bleeding.

Finally, you will need some lubricant: avoid Vaseline or any other mineral oil or petroleum-based lubricant. Most tips on stretching piercings recommend emu oil and jojoba, each of which offers gentle antiseptic and skin conditioning properties while acting as a perfectly adequate lubricant.

Gauging Earlobes

When stretching piercings, the two recommended methods are the taper method and the Teflon method. The taper method involves inserting a tapered rod or pin into the piercing, the narrow end being of the same gauge as the piercing, and the broader end one gauge down. The size of the taper is that of the desired gauge of piercing. So if your piercing is 16g, the taper will be a 14g taper, ranging from 16g to 14g. These are equivalent to 1.2 mm to 1.6 mm.

Never use a taper any more than one step down. However, since piercing gauges are always even numbers, one step down is 16g to 14g or 12g to 10g. Also, as the gauge figures drop, the actual diameter increases. So while 16g is 1.2 mm, 10g is 2.4 mm.

There are a number of different types of taper, including a tapered pin on ear jewelry, so you simply insert ear jewelry tapering from your current gauge to the new one. The problem here is that a fully tapered pin will not stretch your ears evenly – the pin has to be of the same diameter all the way through, or your piercing might also be stretched with a taper.

To overcome that, you can use an insertion rod, which is a tapered rod of about 3 inches. After warming your ears with the warm water or shower, and washing them with anti-bacterial soap, apply the lubricant to the taper and slowly work it through. Once it reaches the thicker end, follow it through with ear jewelry of the new size, and you are done. Wipe off excess lubricant and clean the ear with anti-bacterial soap and then some of the salt solution.

An even safer way is to wind a layer of non-adhesive Teflon tape round the pin of your ear jewelry and push it through the lobe. If you can see any space at all when you pull on the ring, then you can safely do this. Wait until the ear has accepted it then do it again, and so on until you have reached the new size, when you can use larger ear jewelry.

If there has been any severe pain or the piercing bleeds, then you must stop immediately and allow the piercing to heal properly before trying again. If you try stretching piercings too soon, before they have fully healed, then you can tear the skin and even have a blowout, both of which will make it difficult to stretch again.

Gauging Earlobes: After-Care

After-care when gauging earlobes is fairly straightforward. It should not be so much a matter of tending after a piercing until it heals, but more keeping it clean, and turning the new sized jewelry now and again. You are waiting until the ear has accepted the new size of hole permanently so that you can perhaps change the hole diameter once more. The stretched skin has to be allowed to thicken and get harder – give about three times longer than your original piercing took to heal. If you want to use a flesh tunnel, then you can continue stretching piercings until the diameter reaches an appreciable size.

Done properly, and following the above tips, stretching piercings is safe and relatively easy to do. Many extend the diameter of their piercings this way, and gauging earlobes is likely the most popular form of pierce stretching carried out at the moment. Take your time – waiting is difficult, but if your ear is not ready for the next stretching it will likely be damaged.

Tragus and Anti-Tragus Piercings

Tragus piercings and anti-tragus piercings are becoming increasingly popular – in fact, tragus piercings are now one of the most common ear piercings around. Ear piercings are the most familiar form of Body piercings and the tragus and anti-tragus are fresh expressions of the mundane ear lobe piercings.

The tragus is a thick little piece of cartilage that juts out from the ear canal. To get an understanding of the exact location of the tragus, place a finger by the outer corner of your eye. From this point, trace the finger back, in a straight line, until you touch your ear. The first piece of your ear you will feel is your tragus. You should be able to grasp this little nub between your fingers – this is where the piercing will go through.

There are all sorts of misconceptions about the tragus. Some people may try to tell you that piercing your tragus will affect your balance – that is simply not true. Your balance is affected by fluids in your ear drums, which are located deep within your ears, and are far away from any pierce-able surface. The tragus does not have anything to do with your balance, so don’t be fooled by uneducated people who might try and tell you otherwise. In fact, the only purpose a tragus has is to hold your headphones (such as the standard iPod headphones) securely in your ears; and once pierced, there are thousands of headphones to choose from which will not irritate your piercing. Honestly, the tragus has nothing to do with your ear, your hearing, or your balance. It is just a flap of cartilage – perhaps if humans developed sonar and echo-location the tragus would be useful (super developed traguses help bats use sonar, for example) – but alas, on our species, it’s just a surface begging to get pierced!

The tragus is recommended to be pierced with a captive bead ring, but a barbell will suffice. The reason rings are almost always preferred for the initial piercing as opposed to barbells is because rings tend to heal quicker, better, and more securely. Once healed, you can use any type of jewelry, even typical jewelry normally reserved for ear lobes. Your piercer will help you choose which gage is right for you (and by the way, expanding the tragus is not unheard of, but rare), mark the location on your ear, and push the needle right through. Some piercers may put a cork behind the tragus to “catch” the needle, some piercers just use clamps to aid the needle through, and yet others just use their hands. Each piercer is different, so they will pierce according to their style. Clamps are the most common method, and many people report that the actually clamping to secure the skin hurts more than the piercing! The tragus piercing should be painless – there aren’t a lot of nerves there – but some people do feel slight and temporary pain. Because it is so close to the ear, some people even say they hear a little “pop!” sound as the needle pushes through. Should you hear a little noise, it’s nothing to be concerned about. Once the needle is in, the jewelry is slid into place and secured, and you are done! The whole process, from prep to finish, shouldn’t take more than five minutes.

The tragus does take a while to heal – sometimes up to a year to be fully and completely healed. Many people irritate their new piercing by placing their dirty cell phones up to their ear or by sleeping on the ear with the piercing. I suggest NOT doing either of these for at least the first six months. If your piercing does become infected (and it shouldn’t with proper aftercare), soak it in warm salt water, don’t touch it with your hands, and perhaps (using a q-tip) rub some diluted tea tree oil around the piercing. Never use any sort of rubbing alcohol, for this will irritate and scar your piercing. Your piercer will give you a complete rundown of what to expect and how to handle your new piercing though, so pay attention to their advice.

The Anti-Tragus is very similar to the tragus. It is pierced the same way, the aftercare is the same, and the healing time is the same too. To locate your anti-tragus, place a finger on your earlobe (generally where someone’s first ear piercing would be) and with your finger, draw a straight line up. The flap of cartilage you come to before the empty space is your anti-tragus. Your tragus and anti-tragus are located very close to each other, and the anti-tragus is just opposite of the tragus. Just like the other piercing, this piercing does not affect your hearing or balance. The anti-tragus is rarer than the tragus, mostly because many people don’t think they can get this area pierced, but it can be pierced and it does look great when healed. Curved Barbells and captive ring beads are used most frequently in these piercings.

If you are considering an anti-tragus or tragus piercings, be sure to use a licensed professional. Once it is fully healed, the way your ornament or decorate the piercing is completely up to you, and the jewelry possibilities are endless!

The Effects of Music and Influence on Society

Man is a social being that has has developed the usage of music from a common means of entertainment to a therapeutic tool. Music brings happiness to people, music calms people, and music can correct neurological complications.

Music is defined as an art form whose medium is sound and therefore is commonly known as an art that moves the soul. It is composed of the Pitch, rhythm, dynamics and sonic qualities of timbre and texture, It is commonly used for entertainment, but there is more to it many do not know. The appreciation of music varies from person to person, place to place or culture to culture. Your reaction to music is strongly influenced by what you are used to and your understanding of what is being song. Music can be a means of communication whereby one actually listens to the lyrics and understands what is being said in the song or just a collection of sounds put together to make a rhythm. The sounds produced by early birds can be translated to music.

Music can be used for entertainment. Here people react to it by dancing or singing along side. Music heals the soul or makes people forget of their worries. Music can also be used to remind someone of the past or worries. Here we say music provokes memories good or bad. Particular songs are attributed to particular moments or experiences in someone’s life, such that each times they listen to a song, they are reminded of of a particular event. Therefore at different times, music can stimulate excitement, relaxation, festivity, boredom, sexuality, arrogance, anger just to name a few.

Music is now used in hospitals to ease pain especially during labor, or surgery, it is used to put the mentally handicapped in a calmer situation. Two components of music are the rhythm and melody. The strength of the rhythm is enhanced by the instruments types.